Notably, this movie is where the common zombie trope of craving brains comes from.NEW YORK - George Romero, whose classic “Night of the Living Dead” and other horror films turned zombie movies into social commentaries and who saw his flesh-devouring undead spawn countless imitators, remakes and homages, has died. Things are still dire, of course, but it's meant to be horrifically funny, providing some much-appreciated comic relief. While Romero's films critique social issues, Russo's "Return" is a fun horror-comedy romp that offers a release valve. Add in a colorful band of punks, and you have an unofficial but absurdly entertaining follow-up to "Night." (Of course, this doesn't end well.) In this film, O'Bannon and Russo imagine a world in which the events of "Night of the Living Dead" actually happened, and humanity lives in fear of a resurgence. The story begins with foreman Frank (James Karen) trying to appear cool and impressive to a new hire, Freddy (Thom Mathews), by showing him the military drums in the basement of the medical supply warehouse where they work. The zombies in "Day" are officially becoming something more than thoughtless, undead flesh-eaters. Matthew "Frankenstein" Logan (Richard Liberty) is convinced that captive zombie "Bub" (Sherman Howard) harbors some memory of his past life, and the zombie seems capable of engaging in rudimentary human behavior, like saluting an officer. It's also in this movie that we start to see real zombie evolution. With significant Cold War undertones, Romero once again proves the reckless whims of humans are more terrifying than slow-moving zombies. While the scientists study the captured undead in the hopes of understanding this grotesque phenomenon and potentially rehabilitating the lost souls, the army angles to weaponize the flesh-eating monsters. The soldiers are tasked with protecting this group of researchers as they try to find a way to reverse the living dead pandemic, but these two groups have very different agendas when it comes to their zombie enemies. The cohabitation between the scientists and the military, however, is anything but pleasant. And while it isn't the first zombie movie ever made, it does serve as the basic model according to which all modern-day zombies are designed. With creative practical effects and props, some disturbing imagery, and a devastating conclusion, "Night" traces the very beginnings of a zombie outbreak in riveting fashion. Set in the late 1960s, "Night" examines the violent race relations and prejudice of the time in an incredibly visceral way through our Black lead and his interactions with other characters, particularly the coldly stubborn patriarch, Harry Cooper (Karl Hardman). But they soon discover that the undead horde outside isn't their biggest problem - it's each other. The group tries to survive the night as impending zombie doom closes in on them. There, she eventually finds the protagonist, Ben (Duane Jones), a married duo fretting over their ailing daughter, and a scared young couple. After her brother, Johnny, is attacked by a zombie while they're laying flowers on their father's grave in the rural outskirts of Pittsburgh, PA, Barbra (Judith O'Dea) flees for her life, retreating to a nearby farmhouse.
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